Bone and arrow, stoneware and porcelain, 2025
Hura crepitans fireworks, stoneware and porcelain, 2025
Nathalie Batraville is a Black, queer artist of Haitian descent whose practice encompasses ceramics, collage, and writing. Her works explore anticolonialism, pleasure, plant life, and rebellion. She traces the legacy of various figures and episodes of revolt and self-defence across different lands, from Saint-Domingue to the Congo, by way of Turtle Island and Palestine. She juxtaposes different forms and traditions, and various cartographies of struggles against subjugation. Her book of collage poetry, published in 2025 by Ćditions Cases Rebelles, is titled LāAmĆ©rique du Nord. Her latest series of ceramic works revisits the tradition of face jugs that enslaved Black people in South Carolina created beginning around the 1840s. She reinterprets this form by connecting it to plants that were allies of people of African descent.
She is completing a manuscript under contract with Duke University Press, titled Disruptive Agency: Towards a Black Feminist Anarchism. She is also an Associate Professor at Concordia Universityās Simone de Beauvoir Institute.
Photo: Noire MouliomNathalie Batraville est une artiste noire et queer, dāorigine haĆÆtienne, dont la pratique comprend la cĆ©ramique, le collage, et lāĆ©criture. Ses Åuvres interrogent lāanticolonialisme, le plaisir, la botanique, et la rĆ©bellion. Elle retrace lāhĆ©ritage des diffĆ©rentes figures et Ć©pisodes de rĆ©volte et dāautodĆ©fense Ć travers divers territoires, de Saint-Domingue au Congo, en passant par lāĆle de la Tortue et la Palestine. Elle juxtapose diffĆ©rentes formes et traditions, et diverses cartographies de luttes contre lāassujettissement. Son recueil de poĆ©sie en collage, publiĆ© en 2025 aux Ćditions Cases Rebelles, sāintitule LāAmĆ©rique du Nord. Sa derniĆØre sĆ©rie dāÅuvres en cĆ©ramique reprend la tradition des Ā« face jugs Ā», comme les artistes Simone Yvette Leigh et Jim McDowell avant elle, afin de retracer une forme de rĆ©sistance particuliĆØre aux personnes noires mises en esclavage aux Ćtats-Unis, dans la Caroline de Sud Ć partir des annĆ©es 1840. Elle rĆ©invite cette forme en la reliant aux plantes qui Ć©taient des alliĆ©es des personnes afrodescendantes dans leur survie et leur rĆ©volte. Elle est aussi professeure associĆ©e en Ć©tudes fĆ©ministes Ć lāUniversitĆ© Concordia.
Flameās bloom, porcelain, 2025